no sugar :: essays research papers

end-to-end Australian history a racist attitude towards Aboriginals has been a large issue. From the moment the early settlers arrived on our shores and colonised, the Aboriginals have been fighting for the pick of their culture. The Aboriginals seaport been take in and dominated to bring them in line with an high-flown European society. These themes have been put forward by crap Davis in his stage form, No Sugar, the story of an Aboriginal familys fight for survival during the Great Depression years. Admittedly Davis utilises his characters to confront the audience and take them pop out of their comfort z cardinal, showing them the reality of Aboriginal treatment. This is an element of the marginalisation that Jack Davis uses through and through out the play this starts from the beginning where he discomforts the audience by using an open stage. One character that Davis uses through out the play is A.O. Neville, Davis uses him to portray the issue of power, this is a very im portant issue that is carried through out the play.Through out the play aboriginals are marginalised they are told where to go what to do and how to go about life. The play was staged on a perambulate model, meaning that the action of the play shifts mingled with many locations. there is the town of Northam with the Police Station and two Cells, the Main Street and the political sympathies Well Aboriginal Reserve. Then there is The Moore River Native Settlement with the superintendents office, the Millimurra familys tent and the Aboriginal camp at hanker Pool. There is too the Chief Protectors Office and the Western Australian historic Society in Perth and an area by the railway line. This allows for marginalisation between the audience and the play. This can be perceived as some what retribution by Jack Davis for the marginalisation that the Europeans forced upon the aboriginals. Contrasting dialogue is also found within the plays Aboriginal cast. It is not ludicrous for a character to begin a sentence in English, solitary(prenominal) to lead in to Nyoongah words as they proceed GRAN Im warrah, gnuny tjenna minditj, and I got no gnummarri. (Act Two Scene Two)This provokes a reaction from white audiences where we rely on hand gesture to comprehend the play, piece also begging the question as to why they speak in such a way. Language is used as a emblem for their culture, a culture that is split between white and blacks this is just one more tactics that Jack Davis uses to marginalise.