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Wednesday, February 8, 2017

Feminism and Imprisonment in The Yellow Wallpaper

When Charlotte Perkins Gilman wrote her gip boloney, The Yellow Wall makeup, she was deplorable from depression and as a result, her doctor had recommended that she be on a sopor cure. sequence writing, Gilman wanted to make a statement ab disclose feminist movement and individuality and decided to go forth her readers to climb inside the cashiers mind to point out what she thought and felt aft(prenominal) be sent to equaliser cure by her husband.\nThe account of The Yellow Wallpaper is have-to doe with on its description. John, the bank clerks husband, has special orders for his wife to stupefy in bed, suppress her imagination, and to break down writing. Immediately, it is apparent that the charr allows herself to be submissive to men. The storyteller does non believe in the rest cure but is force to do it. She asks herself, what is one to do when she secretly writes in her notebook computer (Ward, 75). This submission shows her lack of federal agency and feelin g lower thence men. The narrator believes that her own statements and opinions do not count.\nThe narrators description of the cover becomes much detailed as her wellness worsens. The wallpaper is floral; a symbolism for femininity. As the story went on, the wallpaper becomes a text of sorts in which the narrator imagines and identifies with other woman trapped in the wallpaper. When John takes her writing away, the narrator wants to figure out who the women in the wallpaper is. She reverses her initial feelings of being watched by the wallpaper and began to conduct and decoding its meaning. She decode the woman trying to creep out of the wallpaper. The narrator also smells the paper throughout the house, which symbolizes how the wallpaper is infecting the narrators mind. The narrator throughout the story shares her hatred towards the wallpaper to her husband. But John does not care nor try to date the narrators fretting towards the wallpaper. John also belittles her by callin g her a little...

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