Character Analysis - Joe in Toni Morrisons\'s Jazz

The crush out on page 130-133 in the novel depicts Joes entire mental state at the time of his killing of Dorcas. The inside stream of consciousness that makes up this section of the book comes incisively after the fibber talks about the switchs in Joe from 1917-1925. \nThe buy food starts as an almost uncomfortably intimate inspection of Dorcas physiologic appearance. Joe tells us She had long hair and bad skin and that he deald it like that; this could attest that he likes her imperfections, because it might consider that other people could like her less, allowing him to pay back complete self-possession over her. There were junior-grade half moons clustered underneath her cheekbones, which could be indentations from her (or possibly Joes nails) signifying some sort of persecute that has been done. Although in a metaphoric sense, the marks on her slope could be the dam ripening things that have happened in her life presentation signs on her skin; she is aging mor e quickly because of them. The hoofmarks could in addition have a society with Joes repeated mentions of runways and trails; this training of the extract could see the phrase I tracked Dorcas from borough to borough as if Joe were a hunter, stalking Dorcas, his prey. On page 120 the narrator is talking about a singer and the way the urban center spins you, suggesting you cant flap off the track the metropolis spins for you. The metaphor of the track emphasises the claustrophobia of the urban center and the fact that it can change the decisions a person makes. \nJoe obsessionally talks about the track and how it begins to talk to you. This personification is Joe deflecting the state away from himself. The track makes him incline towards Dorcas, and eventually Joe finds himself in a crowded room aiming a bullet at her purport, then the gun went thuh! The quality of countersignature for the sound of the gunfire is odd, as it is a precise soft sounding word and does not portray the loud...